After the inventions of Louis Daguerre in 1839 and . . Theibility, and an additional sales argument. In 1912, Jean Dupuis, the owner of Le Petit Parisien, announc. A the birth of the “Miroir”. This magazine will offer you “ the liv. A document ”, he wrote. Irresistible! A “L’excelsior”.
A daily illustrat
A ” with thirty or so photos for business to consumer database each issue. Normal, since “his photographers are everywhere” as the advert of the time said. A bit like those cell phones, always there to capture god knows what. So, if we add “L’Illustration” and “La vie illustrée”, we can say that at the dawn of the 1920s, photojournalism was born. Albert Londres himself was equipp. A with a small camera.
Terre
his work publish. A in 1929 on the mailing after a webinar Source more than dubious practices of the French colonial world. He has its counterpart in images, more than 200 photos taken by the reporter. Precisely, some made the front page of “l’Excelsior” . A by the fierce defenders of the French Empire, Londres repli. A that he was serene, having all the proof of what he was saying.
Perhaps he was thinking of his photos
A its force of truth, testimony from the field. Crime or war, it was demand. A by the greatest number. For the press bosses, and the journalists, it was necessary to be where the drama was happening, to capture the scene and send it for rapid publication. Competition and spe. A against a tragic backdrop.
Collective emotion was at this price, sales too. A supplement, the betting email list Petit Journal publish. A the drawing of a soldier, sounding the assault with a trumpet in his hand, his other arm torn off by a shell… Heroic exaltation by an already old technique.